Partners [Films en cours]

Cinévidéocim is an audio-visual post-production studio, which was founded in 1957. It offers high-standard services in subtitling, dubbing and voiceover, as well as in studio work. Its acquisition at the end of 2014 of Softitrage, a historical partner of numerous film festivals, positions Cinévidéocim from this point forward as a major player in electronic subtitling and DCP versioning.

 

Cosmodigital is a post-production society specialized in cinema, audio-visual media, and advertising. The society offers the following services: digital calibration and color grading in HD, 2K, 4K (Scratch station and 2K Christie projection on a 4 meter-wide screen); data management (developing and backup of digital dailies, backup with LTO, transcoding for Avid or FCP editing); transfers to 35 mm film (for recordings in HD, 2K, 4K); DCP mastering (digital film copies delivered to DCI standards).

 

 

Founded in 2010 by Isabelle Julien and Arnaud Chelet, Ike No Koi is a post-production studio that performs color grading and visual effects for feature films, documentaries, and commercials. 
After graduating from the Beaux-Arts in Rouen, Isabelle Julien joined the Éclair laboratories in 1998, where she worked as a color timer on various films, amongst which were: Intimacy, The Motorcycle Diaries, De Battre mon cœur s’est arrêté, and Un Conte de Noël. In 2001, she joined Arane laboratory, where she color timed 70 mm films, including the restoration of Jacques Tati’s Playtime. In that same year, she became a freelancer and developed a practice in digital color grading.
Having graduated from Université Paris VIII, Arnaud Chelet joined the Éclair laboratories in 1997, where he was the Flame artist for ten years before working as a VFX supervisor. He has worked for many film directors, including Alain Resnais, Olivier Assayas, Roman Polanski, Oliver Stone, Luc Besson, Juan Solanas, and Christian Duguay.

 

Poly-Son Post Production is a service enterprise specialized in sound post-production for cinema.
Founded and managed by a professional team, its main goal is to make available performing and reliable instruments to accompany movie productions under the best possible conditions.
Thus, in their Parisian business sites, Poly-Son offers a full range of technical and human support for all sound post-production purposes:
- Dolby certified cinema mixing auditoriums: Palo Alto Paris and Palo Alto Montreuil.
- Compact 5+1 mixing studios, Premix cinema-mixing TV.
- Sound effects recording and post-synchronisation: The Studios of the 5th arrondissement.
- Image and sound editing (equipped rooms or mobile equipment).
- Follow-up services for workflow-calibration-soundbanks-archiving-deliveries-TV mastering.

 

PIERRE HUOT, post-production manager

Since 2011, Pierre Huot has been active within the collective of film producers Agat Films & Cie/ Ex Nihilo, where he is responsible for overseeing the post-production of the feature films.
A good average of 4.5 films per year since the beginning of this century.

Pierre Huot has worked on films by Solveig Anspach, Robert Guédiguian, Amos Gitaï, Laurent Achard, Lucas Belvaux, Roberto Minervini, Valeria Bruni-Tedeschi, Nicolas Saada, Antony Cordier...

News