An ironic title for a film essay exploring the polysemy and the reversibility of the word revolution in an a-historical movement shifting along the map of struggles, their mournings, their glories, their traces, nestled in the present moment.
After four years studying woodworking, Maxime Martinot entered Ciné-Sup in 2008. He has been a member of the COMET collective. He has made two shorts (Return to Providence, co-directed with Pierre Desprats and Benjamin Hameury in 2016; La Disparition in 2018) and one feature, Trois Contes de Borges, released in theaters in 2018.
Miguel Armas, Morgane Long, Marius Loris, Hugues Perrot, Léo Richard
Théophile Gay-Mazas (étalonnage)
Victor Praud (mixage)
Maxime Martinot, Quentin Brayer (Don Quichotte Films)