Details and deadlines for technical services
The film must be delivered to the service providers with completed image and sound editing, as well as special effects and opening and closing credits.
MIXING
• ten days of mixing in a movie auditorium with a sound mixer
To be delivered:
- image in QuickTime (.mov), DNX36, or 115 format, or in Apple ProRes LT
- the sound editing must be delivered in one Protools session only, preferably without plugins (if there are any, please specify which plugins have been used)
- an EDL list
THE WORK WILL BE DONE BETWEEN 1 AND 31 DECEMBER 2014
COLOR GRADING
• five days of digital color grading with a colorist
- The film should be delivered either on a hard disk including a selection of the useful dailies and an EDL list, or on a hard disk including the conformed images and an EDL list
- Graded film will be returned on a hard disk with graded images in TIFF XYZ format.
THE WORK WILL BE DONE BETWEEN 1 AND 31 JANUARY 2015
SUBTITLING
• French or English subtitling
- The film should be delivered as a Pro Res file in 24 or 25 ips, in its definitive editing, with a complete dialogue list in the original language, as well as a list of existing subtitles (or rough translation) where applicable.
- Delivery of all these elements before 28 FEBRUARY 2015, then subtitle files delivered within a month
DCP MASTERING
• Verification of all elements with 2K screening in FEBRUARY 2015
• Mastering and first DCP on hard disk once the subtitles are delivered
To be delivered:
- images: image sequence in DPX 10bits lin or Tiff RGB 16bits on a hard disk
- sound: mix 5.1 (6 wav files)
- subtitles: stl or srt or xml file
