International Competition 1988

Feature Films

Affetti speciali, Felice Farina (Italie, 100mn)

Agosto, Jorge Silva Melo (Portugal, 90mn)

Les Beautés (Szepleanyok), Andras Der & Laszlo Hartav (Hongrie, 95mn)

La Dame de Paris, Anne Theurillat (France-Suisse, 50mn)

Dunia, S. Pierre Yameogo (Burkina Faso, 52mn)

Funambules, Gil Le Kvern (France, 85mn)

Milan noir, Ronald Chammah (France, 90mn)

Mon Cher Sujet, Anne-Marie Mieville (France-Suisse, 96mn)

Mortu Nega, Flora Gomes (Guinée Bissau, 85mn)

Les Petites photos, Guy Mousset (France, 57mn)

Relacao fiel e verdadeira, Margarida Gil (Portugal, 85mn)

Stravers, Peter Delpeut (Pays-Bas, 59mn)

Tras as Historias, Jean Lefaux (France-Portugal, 80mn)

Uma pedra no bolso, Joachim Pinto (Portugal, 91mn)

Un Ange passe, Christine Ehm (France, 52mn)

Vols d’été, Yousry Nasrallah (Egypte, 102mn)

 

Short Films

A La Rencontre du souvenir, Marie-Hélène Faure (France, 9mn)

... And a song and dance, Zachary Stratis (Etats-Unis, 15mn)

Baram, Touré Moussa (Sénégal, 10mn)

Le Bateau noir, Alain Levy (France, 10mn)

Ceci est un film souterrain, Sylvain Ledey (France, 3mn)

Cette Irrésistible envie d’une illusoire destruction, Nicolas Lenoir (France, 12mn)

Court voyage, Jean-Marie Larrieu (France, 22mn)

L’Etoile de mer, Thierry Tartas (France, 18mn)

Histoires de famille, Marion Lary (France, 11mn)

Inch’allah, Jean Pierre Lenoir & Chantal Briet (France, 24mn)

Jours de vague, Alain Tasma (France, 15mn)

Judith à fond de train, Elisabeth Kapnist (France, 6mn)

Marcucho, El modelo, Harel Calderon (Venezuela, 27mn)

Mes Nuits sont vos jours, Abdellah Hamdi (France, 11mn)

Minus Circus, Dominique Zay (France, 6mn)

Monsieur Martin aura quarante ans demain, Christophe Jullien (France, 9mn)

New York 1935, Michèle Ferrand Lafaye (France, 9mn)

Pierrot Lunaire, Peter Delpeut, Arnaud Kranenborg, Eric Velthuis & Paul Ruven (Pays-Bas, 45mn)

La Police, Claire Simon (France, 26mn)

Requin, J.P Miotto & F. Chirdener (France, 15mn)

La Rue ouverte, Michel Spinoza (France, 20mn)

Rupture (une et deux), Claire Levassor (France, 8mn)

Silk dreams, Tan Teck (Australie, 25mn)

Un Arbre de noël pour deux, Kathleen Fonmarty (France, 15mn)

Une Femme pour l’hiver, Manuel Fleche (France, 18mn)

Une Nuit, Viviane David Veneault (France, 11mn)

Le Violoncelle, Pascaline Simar (France, 24mn)

News

The 2026 International Competition

Discover the ten feature films and the ten short and medium films selected for this year's International Competition! 

La Fabbrica: Françoise Lebrun

Unforgettable as Veronika in The Mother and the Whore, Françoise Lebrun has built a demanding and eclectic body of work through film after film. Carte blanche in her presence!

Special event: The Decadrage collection

Entrevues brings together the six films and seven filmmakers from the first series of the Decadrage Collection, whose release in restored versions is scheduled for December 23

First drafts: the poetry of the city

Portraits of cities through cinema, shaped by reverie and the liberating power of imagination

Cinema & history: 1996 — a queer and feminist year

Romantic comedy, experimental films, thriller — for another history of femininity

CAROLINE POGGI & JONATHAN VINEL IN FOCUS

Retrospective and masterclass Films & Video games in their presence!

Transversale: PLAYERS

La Transversale celebrates players, and takes you on a journey through the history of cinema..

The poster for the 41st edition!

This year, Entrevues entrusted the making of its new poster to Strasbourg-based graphic designer Le Futur!

[Films en cours] 2026 : submissions are open!

Submissions for the 2026 edition of [Films en cours] are now open, from September 1st to October 7!

Call for entries 2026

The submissions for the 41th edition of the international competition (November 16-22) are closed. The selection will be announced mid October.

The 40th edition awards!

The awards list features films that take risks, both in form and perspective, embodied by a generation of filmmakers who explore the personal by confronting the political, often within fragile or unstable settings. This collection, for its 40th edition, reaffirms Entrevues as a testing ground where lucid and unique cinematic approaches are invented.

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