International Competition 2005

Feature Films

Alian, Wei XueQi (Chine, 69 mn)
A Perfect Day, Joana Hadjithomas & Khalil Joreige (France, 87 mn)
El Cantor, Joseph Morder (France, 90 mn)
Les Etats nordiques, Denis Côté (Canada, 94 mn)
Forty Shades of blue, Ira Sachs (Etats-Unis, 107 mn)
Levelland, Clark Lee Walker (Etats-Unis, 106 mn)
Odete, Joao Pedro Rodrigues (Portugal, 101 mn)
Snow, Hakan Sahin (Canada, 75 mn)
The Shore, Dyonisius Zervos (Etats-Unis, 100 mn)
Les Vagues, Frédéric Carpentier (France, 93 mn)
Pavee Lackeen The Traveller Girl, Perry Ogden (Irlande, 87 mn)
Le Passager, Eric Caravaca (France, 90 mn)
Ears Open Eyes Ball Click, Canaan Brumley (Etats-Unis, 95 mn)
Face addict, Edo Bertoglio (Suisse-Italie, 102 mn)
Winterkinder, Jens Schanze (Allemagne, 99 mn)

Short Films

A bras le corps, Katell Quillevere (France, 19 mn)
A genoux, Frank Beauvais (France, 21 mn)
A Tree in Tanjung Malim, Tan Chui Mui (Malaisie, 25 mn)
Avec les mots des autres, Franck Vialle (France, 38 mn)
Children and Airplanes, Sergei Provorov & Galina Myznikova (Russie, 15 mn)
Fais de beaux rêves, Maryline Canto (France, 24 mn)
Jules, Jean-Claude Montheil (France, 17 mn)
Kill the pig, Till Steinmetz (Cuba, 14 mn)
Manmuswak, Patrick Bernier & Olive Martin (France, 14 mn)
Obreras saliendo de la fabrica, José Luis Tores Leiva (Chili, 21 mn)
Otjesd, Clemens von Wedemeyer (Allemagne, 15 mn)
Sédition populaire, Antonio Hébrard (France, 58 mn)
Temps morts, Eléonore Weber (France, 21 mn)
Willow Drive, Jakob Rorvik (Grande-Bretagne, 17 mn)
Yeux, Roland Etzard (France, 14 mn)
La Plaine, Roland Etzard (France, 13 mn)
Acouphènes, François-Xavier Drouet (France, 17 mn)
Allohajo, Noëlle Pujol (France, 55 mn)
Among Garbage and Flowers, Jeff M Giordano (Etats-Unis, 23 mn)
Ça sera beau, Wael Noureddine (France, 30 mn)
Le Chant des oiseaux, Luca Governatori (France, 42 mn)
Dimmer, Talmage Cooley (Etats-Unis, 13 mn)
El Cielo del muerto, Antoine d’Agata (France, 14 min)
J’ai pas tué Saddam, Guillaume Bordier ( France, 51 mn)
Les Messieurs, Patric Chiha (France – Autriche, 52 mn)
Ode pavillonnaire, Frédéric Ramade (France, 42 mn)
Saving the World, Maija Blafield (Finlande, 55 mn)
Tokyo In / Out, Benoît Sauvage (France, 45 mn)
Tweety lovely superstar, Eman Oktai (Emmanuel Gras) (France, 18 mn)
 

News

Guest of Honor: Samir Guesmi

Winner of the 2021 Gérard Frot-Coutaz Award for Ibrahim, Samir Guesmi returns to Entrevues for a six-film portrait retrospective!

The 2026 International Competition

Discover the ten feature films and the ten short and medium films selected for this year's International Competition! 

La Fabbrica: Françoise Lebrun

Unforgettable as Veronika in The Mother and the Whore, Françoise Lebrun has built a demanding and eclectic body of work through film after film. Carte blanche in her presence!

Special event: The Decadrage collection

Entrevues brings together the six films and seven filmmakers from the first series of the Decadrage Collection, whose release in restored versions is scheduled for December 23

First drafts: the poetry of the city

Portraits of cities through cinema, shaped by reverie and the liberating power of imagination

Cinema & history: 1996 — a queer and feminist year

Romantic comedy, experimental films, thriller — for another history of femininity

CAROLINE POGGI & JONATHAN VINEL IN FOCUS

Retrospective and masterclass Films & Video games in their presence!

Transversale: PLAYERS

La Transversale celebrates players, and takes you on a journey through the history of cinema..

The poster for the 41st edition!

This year, Entrevues entrusted the making of its new poster to Strasbourg-based graphic designer Le Futur!

[Films en cours] 2026 : submissions are open!

Submissions for the 2026 edition of [Films en cours] are now open, from September 1st to October 7!

Call for entries 2026

The submissions for the 41th edition of the international competition (November 16-22) are closed. The selection will be announced mid October.

The 40th edition awards!

The awards list features films that take risks, both in form and perspective, embodied by a generation of filmmakers who explore the personal by confronting the political, often within fragile or unstable settings. This collection, for its 40th edition, reaffirms Entrevues as a testing ground where lucid and unique cinematic approaches are invented.

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