La Fabbrica

Emmanuelle Cuau

Emmanuelle Cuau is one of the very few French filmmakers who keeps up the long-buried tradition of romantic secrets and speculations, tapping gleefully into the paranoid wells of fiction, i.e. the power of suggestion and mystery. Her films, predicated on potent challenges to the concept of identity, unravel social roles (Circuit Carole, 1995), investigate the unspeakable core of daily interactions (Not on My Watch, 2017), and unearth riveting causes of alienation within our eternal duality as human beings (Very Well, Thank You, 2007). Identity is fleeting and, naturally, leads to madness; this is what Emmanuel Cuau’s films have shown, better than anyone, through ambiguity and uncertainty, finding endless ways to top with the audience’s consciousness. 

A complete retrospective (including her unreleased short film Palais de Tokyo), events, carte blanche screenings and a preview of the restored version of Circuit Carole.

Emmanuelle Cuau, Gilbert Melki, Sabine Lancelin, Laurence Côte and Olivier Cruveiller will be attending. 

 

Films

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Call for entries

Submission for the International Competition of the 40th edition of Entrevues Belfort International Film Festival - is open from May 5 to July 20.

Entrevues continues online

The 39th edition of Entrevues ended on November 24. If the lights have gone out on the big screen, the adventure continues online.

2024 Awards

The 39th edition winners ! From deeply human stories to the most daring visual experiments, this list of winners honors visionary filmmakers, distinctive voices, and projects that resonate with our times.

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